Expansion: The Abramović Method

Things discussed: Marina Abramović; PAC; Milan; performance; being active; being passive; inner space; crystals; quartzes; earmuffs; being naïf; bad trips.

written by e

Among works with a different approach to space, another example is The Abramović Method, which explores one’s inner space.

via dmoda.it 

Expansion: The Big Bambú Theory

Things discussed: bamboo; Doug and Mike Starn; suspension; Venice Biennial; interdependence; being active; being passive; chaos; strings; Mikado sticks.

written by e

Another great example — a huge example — of art in space & space in art is the installation Big Bambú, by American twin brothers Doug and Mike Starn, seen at the 54^th Venice Biennial in 2011.

via Doug and Mike Starn

Like the Tomás Saraceno’s installation, it is a work of art that generates a new space — an experience space which would be impossible in normal circumstances.

Expansion: Lost in Space, not in Meaning

Things discussed: Tomás Saraceno, being active or passive, void, Hangar Bicocca, Milan, space, time, craters, instability, quantum physics, foam, Yves Klein.

written by e

I am going to correct here my blog co-author who in a previous post wrote: 

Rudolf Stingel: when you think about art and space, his is the name that comes to mind.

Okay: I agree. But I must add a name: Tomás Saraceno. In his installation On Space Time Foam, which I experienced at the Hangar Bicocca in Milan, in January 2013, not only there is no distance between space and work, but also between space, work and you. 

All pictures © Tomás Saraceno

You become an active element of the installation, modifying its shape, balance, and in turn the balance of other active visitors. You have to be active to fully enjoy the work, because the work is an experience.

Expansion: Et In Synesthesia Ego

Things Discussed: Rudolf Stingel; Carpets; Sailors; Lightbulbs; the Softening Sound of Your Own Steps; Patterns Repeated.

written by f

Rudolf Stingel: when you think about art and space, his is the name that comes to mind. No distance between space and the work displayed. 

There's no work displayed: the work dresses the space. It makes the space behave differently.